White Hole

White Hole is a visual investigation that moves along the thin line between scientific rigor and mythological speculation. The project stems from a fundamental paradox: using the scientific method—traditionally dedicated to tangible proof—to map what is inherently invisible or hypothetical.

At the center of this research is not Pegasus as a legendary figure, but as a device of vision. It ceases to be a narrative and becomes a clinical instrument, a lens through which to observe an "elsewhere" that emits signals, traces, and matter in the form of organic relics and light distortions. Through the use of microscopy, zenithal mapping, and forensic inquiry, photography renounces its traditional documentary function to become a necessary conjecture.

The images in White Hole act as emissions from an inverted event horizon: fragments of an impossible anatomy, mineral textures, and sudden flares that suggest an existence already present, yet previously obscured by the flaws of our perceptual tools. In this boundary space between relic and vision, the work invites the viewer to reconsider the limits of the knowable, transforming the act of observation into an act of faith toward the unknown.